30 de julho de 2009

Link do Dia: Mundo Marketing

Estudantes de Design, Link do Dia, Noticias Design e Comunicação


Para quem procura aprender ou manter-se atualizado sobre Marketing, o site “Mundo Marketing” oferece um conteúdo de muita qualidade sobre branding, produtos, comportamento do consumidor, propaganda, design, comunicação, gestão, estratégia, marketing, endomarketing, etc, divididos em artigos, cases, entrevistas, reportagens, agenda entre outros.

Parada obrigatória e frequente.

Site Mundo Marketing

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30 de julho de 2009

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Emoções como diferenciadores de marca

Noticias Design e Comunicação


As marcas precisam apelar cada vez para o emocional na hora de diferenciar seus produtos. Mas apenas isso não basta: é preciso escolher um posicionamento relevante e que a destaque sobre a concorrência. Essa é algumas das lições que o mercado precisa se atentar, aponta Karina Milaré, Diretora de Planejamento do setor de consumo da TNS Research International, em sua palestra na quinta edição do Seminário Marketing 360º, no Rio de Janeiro.

Karina Milaré sinaliza, no entanto, que não adianta desenvolver uma marca sem gerar reconhecimento (awareness) no mercado. “É preciso também deixar de lado a noção de que o Brasil é um mercado patinho feito, subdesenvolvido. Nosso mercado está fervendo. Essa é a hora para trabalhar a sua marca”, finaliza.

Trechos da matéria “Emoções como diferenciadores da Marca” de Guilherme Neto, publicado no site Mundo Marketing.

Leia o artigo completo.

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28 de julho de 2009

Designer britânico fala sobre design de serviços na UP

Estudantes de Design, Noticias Design e Comunicação


O Centro de Design Paraná comemora 10 anos de fundação com um seminário que traz como convidado o designer britânico Oliver King, que falará sobre design de serviços, no dia 4 de agosto, na Universidade Positivo.

Durante a 12ª edição do Design to Business, estudantes e profissionais da área poderão conhecer melhor esse conceito e entender por que empresas como Orange, Hotel InterContinental, Mercedes-Benz, Visa Internacional, o jornal The Guardian, Sky, MSN e Nokia utilizam o conceito do Design de Serviço nos negócios.

Cofundador e diretor da empresa Engine, King é considerado um apaixonado pelos ganhos e benefícios do design focado em inovação e pesquisa. Em seu trabalho, ele identifica e apresenta propostas para o desenvolvimento de experiências a serem vividas pelo consumidor na aquisição de produtos e serviços. Professor da Universidade de Cambridge e do MIT, integra, ainda, o júri do prêmio de design do Royal Society of Arts.


Serviço
12° Design to Business – Oliver King
Data: 4 de agosto
Horário: 19h30
Local: Auditório do Bloco Bege – Universidade Positivo
Rua Prof. Pedro Viriato Parigot de Souza, 5.300 – Campo Comprido
Entrada franca
Mais informações: www.centrodedesign.org.br/d2b ou pelo telefone (41) 3018-7332.

Fonte: Universidade Positivo

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27 de julho de 2009

Link do dia: Blog da Revista Embalagem Marca

Design de Embalagens, Link do Dia, Noticias Design e Comunicação


O blog da revista “Embalagem Marca” vale a visita. Informações bem garimpadas, novidades, curiosidades e até bizarrices são atrativos para quem gosta do assunto. Recomendo.

Visite: Blog Embalagem Marca

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22 de julho de 2009

Designers sem nada para mostrar.

Estudantes de Design, Noticias Design e Comunicação


” Este é um ponto que eu não consigo compreender: como é que um profissional de design não tem nenhum cantinho na Internet? Designers gráficos e de produto sabem quanto custa produzir um portfólio impressionável em papel – é bem salgado. Por que então dispensar essa alternativa poderosíssima e barata?

Vira e mexe converso com alguém que parece ter um potencial muito bom e, quando peço para ver o seu portfólio, ou mesmo que me dê um cartão de visitas, saio de mãos abanando, os anéis todos caindo. Como eu disse antes, papel custa caro (se bem que cartões de visitas caprichados são, literalmente, o “cartão de visitas” de um designer gráfico). Mas e o site? Hospedar uma página em um servidor custa uns R$ 20,00/mês e mais R$ 30,00/ano pelo registro do endereço. Um investimento mais do que justificado!”

Esse é um trechinho do artigo “Currículo Vazio” de Ligia Fascioni que fala sobre profissionais e estudantes de design sem portfolio. Vale a pena ler.

Ligia é autora dos livros “Quem sua empresa pensa que é?” e “O design do designer”, é professora universitária, palestrante e consultora empresarial na área de gestão da identidade corporativa e design.

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22 de julho de 2009

Design brasileiro fica com Sete leões em Cannes

Design de Embalagens, Noticias Design e Comunicação


Com sete Leões, sendo um deles de ouro, os profissionais brasileiros tiveram seu melhor desempenho no festival de Cannes – categoria Design. A agência AlmapBBDO faturou dois Leões, sendo um de ouro para o trabalho de identidade para a marca Havaianas, e um de prata, para o mesmo cliente, com o desenvolvimento do convite para a São Paulo Fashion Week. O escritório Gad Design ganhou um Leão de prata para operadora de telefonia Claro.

O Brasil inscreveu este ano 174 trabalhos, ante 48 no ano passado. O País conquistou 11 shortlists e sete Leões.

Fonte: Embalagem Marca

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19 de julho de 2009

Aula Magna Luli Radfahrer ECA USP

Estudantes de Design, Noticias Design e Comunicação


Essa aula ministrada pelo Luli é um show de lucidez com bom humor  sobre o inter-relacionamento universidade x estudante e como tirar maior proveito dessa experiência.

Fonte: Luli.com.br

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15 de julho de 2009

Pão de Açúcar investe R$3,3 milhões para revitalizar a marca

Noticias Design e Comunicação


O Grupo Pão de Açucar acaba de lançar sua nova identidade visual, a sexta em sessenta anos de história.
Segundo matéria no site da empresa, o novo logotipo representa uma evolução sem romper totalmente com a “identidade” da logomarca atual.


A rede investiu R$ 3,3 milhões em estudos e desenvolvimento, incluindo: pesquisas, alteração da logo nas fachadas, troca dos materiais nas lojas e campanha nova.


O logotipo é resultado de uma influência dos modelos importados da onda Web 2.0 e que, na minha opinião, reflete mais um modismo do que propriamente um estilo.

Pessoalmente, modificar os morrinhos sólidos por outros de gelatina não me parece necessariamente uma evolução. É moderno? Talvez, mas com possibilidades reais de se tornar cansativo ou desatualizado assim que a moda passar.


Novo logotipo Pão de Açucar

Novo logotipo Pão de Açucar


Fonte: Site do Grupo Pão de Açucar

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15 de julho de 2009

Quando e como mudar a embalagem

Design de Embalagens, Noticias Design e Comunicação


Uma embalagem sozinha no ponto de venda, ao lado de suas concorrentes, não é capaz  de vender um produto, mas ajuda muito. E, ao lembrarmos do levantamento do Popai Brasil, que indica que 80% das compras são decididas no PDV, logo colocamos a roupa do nosso produto diante do espelho. Será que ele está bem na foto?


Leia o artigo inteiro

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14 de julho de 2009

BrandingGlossário de Termos

Noticias Design e Comunicação


Brand Equity

O poder de uma marca conseguido através do sucesso de uma imagem positivaThe power of a brand through successful creation of a positive image to shift demand and change customer behavior.

Brand Identity

The visible and tactile elements that can be used to identify a brand (name, logotype, symbol, structure, product configuration, service offering and packaging).

Brand Image

The complete bundle of thoughts a customer has in his or her mind about a company, product or service developed through communications and experience, including the distinguishing “human” characteristics of a brand personality (e.g., warm and friendly, strong and reliable).

Brand Promise

A statement of the enduring, relevant and distinctive benefits customers associate with a product, service or company.

Brand Strategy

Long-term plan for the brand including a determination of key audiences and an understanding of what those audiences need to know about the brand and experience.

Communications Audit

A formal examination of an organization’s visual and verbal communications practices.

Communications Plan

A company’s communications goals and objectives, and the messages and vehicles that will be used to meet them.

Corporate Identity

The visible elements (name, logotypes, symbols, signs, offices, factories, advertising, trucks, packaging, letterhead, business cards, etc.) which can be used to identify a company.

Corporate Image

The perception that people have of a company, based on a combination of various communications and personal experience.

Corporate Mission

Defines why the organization exists, its core values and intent, and serves to unite organizational behavior.

Culture and Style

Distinctive attributes and competitive advantages relating to organizational beliefs, values and traits; how the organization behaves as it uniquely goes about its business.

Image Attributes

Help define the tone, manner, personality and style of a brand, often the differentiating factor between similar products and services.

Image Criteria

The desired “personality” attributes of a company, product or service that guide name and design development.

Logotype

A unique group of letterforms that represent the corporate brand. IBM, Nuveen and GAP feature logotypes as their primary form of identity.

Message

The information (facts, strengths, culture/style and future direction) that is most relevant to priority audiences and serve as major content points for all communications.

Name Direction

Creative concepts and approaches that guide name generation.

Name Generation

Creative development of a comprehensive yet focused list of names that address specific image and functional criteria.

Naming

The strategic and creative discipline of developing the most appropriate word or words to identify an organization, product or service.

Nomenclature System

Method for associating divisions, subsidiaries, brands, etc. with the parent company.

Positioning Statement

Provides the underlying platform for communications, reflecting the company’s/brand’s value proposition. Address:

1. definition — how the company defines its business or how the brand defines its competitive set; who we are and what we do;

2. differentiation — what makes the company/brand special; how we do it; and

3. deliverables — benefit delivered to its customers.

Sensory Branding

An emerging area of branding that relies on the use of sensory stimuli (scent, sound, touch, etc.) to develop a more tangible and memorable customer experience.

Symbol

A non-typographic element of an abstract or representational nature. Texaco, Apple and Continental Airlines feature graphic symbols as an important form of their identity.

Visual Communications System

A planned method of identification including the use of a company’s name, logotype, color palette and secondary typography; a company’s graphic “look and feel,” applied to a wide cross-section of media to create a cohesive brand presence.

— The power of a brand — through successful creation of a positive image — to shift demand and change customer behavior.

Brand Identity

— The visible and tactile elements that can be used to identify a brand (name, logotype, symbol, structure, product configuration, service offering and packaging).

Brand Image

— The complete bundle of thoughts a customer has in his or her mind about a company, product or service developed through communications and experience, including the distinguishing “human” characteristics of a brand personality (e.g., warm and friendly, strong and reliable).

Brand Promise

— A statement of the enduring, relevant and distinctive benefits customers associate with a product, service or company.

Brand Strategy

— Long-term plan for the brand including a determination of key audiences and an understanding of what those audiences need to know about the brand and experience.

Communications Audit

— A formal examination of an organization’s visual and verbal communications practices.

Communications Plan

— A company’s communications goals and objectives, and the messages and vehicles that will be used to meet them.

Corporate Identity

— The visible elements (name, logotypes, symbols, signs, offices, factories, advertising, trucks, packaging, letterhead, business cards, etc.) which can be used to identify a company.

Corporate Image

— The perception that people have of a company, based on a combination of various communications and personal experience.

Corporate Mission

— Defines why the organization exists, its core values and intent, and serves to unite organizational behavior.

Culture and Style

— Distinctive attributes and competitive advantages relating to organizational beliefs, values and traits; how the organization behaves as it uniquely goes about its business.

Image Attributes

— Help define the tone, manner, personality and style of a brand, often the differentiating factor between similar products and services.

Image Criteria

— The desired “personality” attributes of a company, product or service that guide name and design development.

Logotype

— A unique group of letterforms that represent the corporate brand. IBM, Nuveen and GAP feature logotypes as their primary form of identity.

Message

— The information (facts, strengths, culture/style and future direction) that is most relevant to priority audiences and serve as major content points for all communications.

Name Direction

— Creative concepts and approaches that guide name generation.

Name Generation

— Creative development of a comprehensive yet focused list of names that address specific image and functional criteria.

Naming

— The strategic and creative discipline of developing the most appropriate word or words to identify an organization, product or service.

Nomenclature System

— Method for associating divisions, subsidiaries, brands, etc. with the parent company.

Positioning Statement

— Provides the underlying platform for communications, reflecting the company’s/brand’s value proposition. Address:




1. definition — how the company defines its business or how the brand defines its competitive set; who we are and what we do;

2. differentiation — what makes the company/brand special; how we do it; and

3. deliverables — benefit delivered to its customers.

Sensory Branding

— An emerging area of branding that relies on the use of sensory stimuli (scent, sound, touch, etc.) to develop a more tangible and memorable customer experience.

Symbol

— A non-typographic element of an abstract or representational nature. Texaco, Apple and Continental Airlines feature graphic symbols as an important form of their identity.

Visual Communications System

— A planned method of identification including the use of a company’s name, logotype, color palette and secondary typography; a company’s graphic “look and feel,” applied to a wide cross-section of media to create a cohesive brand pWhen the founders of Lippincott originated the concept of “corporate identity”, the term denoted the most fundamental ways that a company projects its individuality. Over time, the firm has developed sophisticated new methodologies and tools for building and managing distinctive corporate, retail and brand identities. With it has grown a vocabulary of industry terms, honed and refined through client assignments, highlights of which are collected in this glossary for reference.

Brand Equity

— The power of a brand — through successful creation of a positive image — to shift demand and change customer behavior.

Brand Identity

— The visible and tactile elements that can be used to identify a brand (name, logotype, symbol, structure, product configuration, service offering and packaging).

Brand Image

— The complete bundle of thoughts a customer has in his or her mind about a company, product or service developed through communications and experience, including the distinguishing “human” characteristics of a brand personality (e.g., warm and friendly, strong and reliable).

Brand Promise

— A statement of the enduring, relevant and distinctive benefits customers associate with a product, service or company.

Brand Strategy

— Long-term plan for the brand including a determination of key audiences and an understanding of what those audiences need to know about the brand and experience.

Communications Audit

— A formal examination of an organization’s visual and verbal communications practices.

Communications Plan

— A company’s communications goals and objectives, and the messages and vehicles that will be used to meet them.

Corporate Identity

— The visible elements (name, logotypes, symbols, signs, offices, factories, advertising, trucks, packaging, letterhead, business cards, etc.) which can be used to identify a company.

Corporate Image

— The perception that people have of a company, based on a combination of various communications and personal experience.

Corporate Mission

— Defines why the organization exists, its core values and intent, and serves to unite organizational behavior.

Culture and Style

— Distinctive attributes and competitive advantages relating to organizational beliefs, values and traits; how the organization behaves as it uniquely goes about its business.

Image Attributes

— Help define the tone, manner, personality and style of a brand, often the differentiating factor between similar products and services.

Image Criteria

— The desired “personality” attributes of a company, product or service that guide name and design development.

Logotype

— A unique group of letterforms that represent the corporate brand. IBM, Nuveen and GAP feature logotypes as their primary form of identity.

Message

— The information (facts, strengths, culture/style and future direction) that is most relevant to priority audiences and serve as major content points for all communications.

Name Direction

— Creative concepts and approaches that guide name generation.

Name Generation

— Creative development of a comprehensive yet focused list of names that address specific image and functional criteria.

Naming

— The strategic and creative discipline of developing the most appropriate word or words to identify an organization, product or service.

Nomenclature System

— Method for associating divisions, subsidiaries, brands, etc. with the parent company.

Positioning Statement

— Provides the underlying platform for communications, reflecting the company’s/brand’s value proposition. Address:

1. definition — how the company defines its business or how the brand defines its competitive set; who we are and what we do;

2. differentiation — what makes the company/brand special; how we do it; and

3. deliverables — benefit delivered to its customers.

Sensory Branding

— An emerging area of branding that relies on the use of sensory stimuli (scent, sound, touch, etc.) to develop a more tangible and memorable customer experience.

Symbol

— A non-typographic element of an abstract or representational nature. Texaco, Apple and Continental Airlines feature graphic symbols as an important form of their identity.

Visual Communications System

— A planned method of identification including the use of a company’s name, logotype, color palette and secondary typography; a company’s graphic “look and feel,” applied to a wide cross-section of media to create a cohesive brand presence. resence.

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